- Webinar 10
- Architecture, Carbon emissions, Construction
Timber is having its moment in the global sustainability discourse. Will it replace concrete and steel, or be used in combination to usher in a new era of low-carbon construction?
The path to net-zero energy is filled with promise. Campus buildings offer a unique opportunity: they can be testbeds for new ideas and may also double as teaching tools.
In the fourth episode of the Holcim Awards 2023 limited webinar series, we speak with Ryan Bussard of Perkins&Will and Erik L’Heureux of the National University of Singapore (NUS).
Their respective Holcim Award-winning projects are North America Bronze winner Kaiser Borsari Hall (Bellingham, USA) and Asia Pacific Bronze winner NUS Yusof Ishak House (Singapore). Despite their very different settings, these two campus buildings are bound by a desire to decarbonise and enhance well-being.
This conversation brings to light the hardware and mindware needed to achieve net-zero design, particularly in a campus setting. Cutting energy demand is part of the equation, but net zero can also require a shift in culture — decoupling wants from needs. A lifecycle approach is also critical.
Kaiser Borsari Hall, says Ryan Bussard, is an upcoming 54,000-square-foot mass-timber building on Western Washington University’s campus in Bellingham, USA. It integrates otherwise fragmented academic departments under one roof. It is the first higher education STEM building in the United States to pursue the Zero Energy and Zero Carbon certifications from the International Living Future Institute.
The project uses a cross-laminated timber structure to reduce embodied carbon, and on-site energy generation and storage to decrease operational emissions. Over 105% of its energy use will be produced through renewables on and off site.
NUS Yusof Ishak House, explains Erik L’Heureux, is an adaptive reuse project on the NUS campus. The building has been serving as a student centre since the 1970s. The new design amplifies the existing structure’s architectural language while championing net-zero energy and decarbonisation.
To minimise energy consumption, the building’s existing six vaulted arches are amplified and elongated so they draw in the equatorial air, creating generous naturally ventilated spaces. Additionally, a hybrid cooling system uses fans to accelerate air that is cooled in strategic locations. A rooftop photovoltaic array generates energy.
Two key aspects make a net-zero-energy building successful: first, the design must bring about significant cuts in energy usage; and secondly, it must produce enough power on site to cover its operational requirements. The process of designing and delivering such a building, therefore, looks significantly different.
Ryan points to the importance of a co-design process in which all stakeholders — including architects, engineers, specialists, end users, and building operations and maintenance staff — should be at the table from the beginning to find alignment. Erik seconds the idea, but also emphasises the role of the architect as the driver of the conversation, with the ability to synthesise voices.
To diminish energy consumption, both Ryan and Erik underline the importance of passive design as the first tier of response. For instance, the openings in Kaiser Borsari Hall’s facade were optimised to to decrease solar gain while maximising daylight and views; they take up only 34% of the vertical surface area but illuminate 90% of the interiors.
The second tier of response, suggests Erik, is pushing and managing expectations, particularly those of the end-users and facilities managers. For instance, pushback about the exclusion of vending machines from NUS Yusof Ishak House was reconsidered after communication about the reduction of plug loads and energy goals.
Earning stakeholders’ trust, it turns out, is key to the success of a high-performing building. Both Ryan and Erik stress that the relationship needs to be cultivated and requires constant upkeep, which increases efficiency over time.
The good news is that buildings focused on efficiency and impact are becoming increasingly affordable. By being smart about the dollars, says Ryan, such structures can be built within traditional budgets. Erik estimates that costs related to net-zero goals for NUS Yusof Ishak House will be recovered within its first eight years of operation.
For Ryan, Kaiser Borsari Hall is also an essential teaching tool — it makes visible its mechanical and structural systems for all to see. For Erik, the learning simply lies in the building’s performance. A well-functioning space, he believes, invites more people in, and in turn, increases the demand for such high-performance buildings.
This limited webinar series is created in collaboration with:
The Holcim Foundation for Sustainable Construction The Holcim Foundation helps drive systemic change towards a more sustainable built environment. It was founded in 2003 to define and promote the key principles of sustainability for the construction sector and is committed to accelerating the sector’s transformation so that people and the planet can thrive. The Foundation has investigated various aspects of sustainable construction via a series of roundtables and conferences with international experts. It has also recognised excellent contributions to this field with the Holcim Awards which are considered the world’s most significant competition for sustainable design. Committed to a holistic approach that recognises the equal importance and interdependence of four key goals, the Foundation combines the collective knowledge, ideas, and solutions of our global community of experts with our recognised platform of international competitions to democratise thought leadership for the entire sector. The Holcim Foundation is proud to team up with Ecogradia and the host of its podcast, Nirmal Kishnani, with whom we share a common goal: contribute to a just, equitable and sustainable future via sustainable construction and design. |
This limited webinar series is created in collaboration with:
The Holcim Foundation for Sustainable Construction
The Holcim Foundation helps drive systemic change towards a more sustainable built environment. It was founded in 2003 to define and promote the key principles of sustainability for the construction sector and is committed to accelerating the sector’s transformation so that people and the planet can thrive.
The Foundation has investigated various aspects of sustainable construction via a series of roundtables and conferences with international experts. It has also recognised excellent contributions to this field with the Holcim Awards which are considered the world’s most significant competition for sustainable design.
Committed to a holistic approach that recognises the equal importance and interdependence of four key goals, the Foundation combines the collective knowledge, ideas, and solutions of our global community of experts with our recognised platform of international competitions to democratise thought leadership for the entire sector.
The Holcim Foundation is proud to team up with Ecogradia and the host of its podcast, Nirmal Kishnani, with whom we share a common goal: contribute to a just, equitable and sustainable future via sustainable construction and design.
Representing Kaiser Borsari Hall (Bellingham, USA) is Ryan Bussard, Design Director and Principal at Perkins&Will. Other team members behind the project include Susan Clark (Perkins&Will), Andy Clinch (Perkins&Will), Anthony Gianopoulos (Perkins&Will), Shanni Hanein (Perkins&Will), Devin Kleiner (Perkins&Will), and Jason McLennan (International Living Future Institute).
W | Perkins&Will
Representing NUS Yusof Ishak House (Singapore) is Erik L’Heureux, Dean’s Chair Associate Professor, Department of Architecture at the National University of Singapore. Other team members behind the project, also from the National University of Singapore, include Giovanni Cossu, Bertrand Lasternas, and Yan Leng Koh.
Host
Nirmal Kishnani
Producer
Maxime Flores
Editor-at-large
Narelle Yabuka
Senior editor
Tyler Yeo
Senior communications executive
Sana Gupta
Art director
Alexander Melck | Phlogiston
Sound technician and editor
Kelvin Brown | Phlogiston
Video editors
Guellor Muguruka | Phlogiston
Madelein Myburgh | Phlogiston
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Contact us
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#15–04, SGX Centre I
Singapore 068804
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