- Webinar 10
- Architecture, Carbon emissions, Construction
Timber is having its moment in the global sustainability discourse. Will it replace concrete and steel, or be used in combination to usher in a new era of low-carbon construction?
There is wisdom in the vernacular. But does this knowledge offer something more than feel-good nostalgia? Are traditional buildings models for low-impact architecture that must be emulated?
Benny Kuriakose certainly thinks so. A prolific practitioner from Chennai, India, whose firm, Benny Kuriakose & Associates, champions vernacular-inspired architecture, he deems that traditional knowledge is a pathway to sustainability.
His portfolio includes conservation, hospitality, and housing projects. The vast majority of his buildings are in peri-urban or rural settings and tend to be low-rise structures set in natural landscapes. His work is a conduit for the materials and crafts indigenous to a region.
00:08:06 | A vernacular-inspired approach to sustainable design for India |
00:09:08 | “I’m taking inspirations… or learn from the past or how people built. And those buildings were built using local materials and according to the local climate. And there was a more human nature in architecture — in the vernacular architecture.” |
00:16:39 | “We should not take a blind view that everything vernacular is sustainable. I don’t have such a view.” |
00:27:36 | “One important aspect of sustainability buildings has to be durable. If your building lasts only for 25 years, it is not sustainable. We look at the life cycle cost.” |
00:30:16 | Built projects |
00:33:36 | “What they need to create is buildings which will give peace and happiness to the occupants.” |
00:43:30 | Celebrating the rural and unhurried |
00:45:44 | “Earth will strike a balance when the rural and city divide will be the minimum — which is possible. So we are still thinking of mega, mega projects in cities, whereas we are neglecting the villagers.” |
00:48:01 | Becoming Benny |
00:54:00 | “It is important that you do what you believe in. It’s important that you have a vision and a concept. Money will follow whatever you try to do. You should be change makers — that is very important.” |
In this interview, Benny says he was first inspired by the late British-Indian architect, Laurie Baker, who is celebrated for his frugal and eco-friendly properties. He also credits Shri Appukuttan Nair, a retired civil engineer who specialised in traditional Keralan buildings, as a major influence.
His enthusiasm for the vernacular, however, was fuelled later, while exploring India. He would eventually earn a master’s degree in conservation, yielding the skillsets and professional qualifications needed to launch his career.
His design approach today is marked by an emphasis on place. Climate and site, culture and craft, and the use of local materials are all central to his creations.
In the Quiet by the River resort (Kerala, India), for instance, Benny uses recycled timber and locally sourced stones. By promoting local craftsmanship, he aims to foster the employment of tradesmen whose skills might otherwise be lost one day.
Another development, the private residence Vishram by the Sea (Kerala, India), relies on natural ventilation and daylight to curb energy dependence. The impact is further mitigated through the use of recycled stone columns, reclaimed doors and windows, and eco-friendly handmade Athangudi tiles.
The DakshinaChitra Museum is one of Benny’s rare urban interventions to date. This project, some 28 years in the making, is situated in the heart of Chennai (Tamil Nadu, India) and consists of a cluster of new and reconstructed buildings.
In addition to showcasing regional architecture, the museum premises are a compelling network of public spaces, verandas and courtyards, with interstitial retreats between buildings popular with the museum’s visitors.
Any building that ignores the local context cannot be sustainable, insists Benny. He makes the case that sustainability in India must transcend the trend towards Green certification, which he considers to be a transplant from the West. The country’s future lies in reconnecting with a Gandhian way of thinking and acting.
The conversation with Benny pokes at some of the contradictions inherent to adopting a vernacular strategy in contemporary India. Does he install air conditioning if a client requests it? What does he make of the urban pressure to always build higher, denser, to accommodate the legions who embrace the city?
Here, Benny proposes a thoughtful calibration between traditional ways and modern norms. Urbanites, he contends, are drawing resources away from countryside communities all around India and his work is his attempt at reimagining life in the villages. It may seem labour-intensive on the surface, highly customised, even antithetical to many of the low-impact structures cloned quickly and to scale today; but by slowing the process and leaving an imprint of the maker, he aims to remind us of the underlying humanity in every building act.
Sustainability means nothing if we all live in machine-made boxes in the sky.
This episode is brought to you by:
The Holcim Foundation for Sustainable Construction The Holcim Foundation helps drive systemic change towards a more sustainable built environment. It was founded in 2003 to define and promote the key principles of sustainability for the construction sector and is committed to accelerating the sector’s transformation so that people and the planet can thrive. The Foundation has investigated various aspects of sustainable construction via a series of roundtables and conferences with international experts. It has also recognised excellent contributions to this field with the Holcim Awards which are considered the world’s most significant competition for sustainable design. Committed to a holistic approach that recognises the equal importance and interdependence of four key goals, the Foundation combines the collective knowledge, ideas, and solutions of our global community of experts with a recognised platform of international competitions to democratise thought leadership for the entire sector. |
This episode is brought to you by:
The Holcim Foundation for Sustainable Construction
The Holcim Foundation helps drive systemic change towards a more sustainable built environment. It was founded in 2003 to define and promote the key principles of sustainability for the construction sector and is committed to accelerating the sector’s transformation so that people and the planet can thrive.
The Foundation has investigated various aspects of sustainable construction via a series of roundtables and conferences with international experts. It has also recognised excellent contributions to this field with the Holcim Awards which are considered the world’s most significant competition for sustainable design.
Committed to a holistic approach that recognises the equal importance and interdependence of four key goals, the Foundation combines the collective knowledge, ideas, and solutions of our global community of experts with a recognised platform of international competitions to democratise thought leadership for the entire sector.
Born in 1962 in the small town of Koothattukulam (India) and brought up in Thiruvananthapuram, Benny Kuriakose started his career in 1984. He was introduced to architecture working for the late master Laurie Baker (1917-2017). He later received the Charles Wallace India Trust Award from the University of York (UK) for a Master’s degree in Conservation Studies and completed his PhD at the Indian Institute of Technology in Madras (India).
An early vernacular design proponent, he is leading today his own architect and consulting firm, Benny Kuriakose & Associates (BK&A), out of Chennai (India). Architects, engineers, designers, and audiovisual specialists are all part of the team that has carried the company’s mission since 1991: deliver solutions that respect historical context, are sensitive to the environment, and are sustainable. BK&A’s portfolio includes conservation assignments and small- to large-scale structures relying on natural materials and indigenous crafts, from small mud cottages to post-tsunami reconstruction housing.
Dr Kuriakose has also worked as a consultant for the United Nations Development Program (UNDP), UNESCO, different state governments, and other non-governmental organisations.
RMI
E | bennykuriakose@gmail.com, info@bennykuriakose.com
W | bennykuriakose.com
If you heard it in this episode, we likely have a link for it right here. Click on any topics, people, buildings, places, products and/or technologies listed below to learn more about each of them.
00:04:48 | “…he was mostly known for cost-effective building or low-cost buildings…” “LOW-COST HOUSING TECHNIQUES” | Civil Wale |
00:05:20 | “…but very common in British country style architecture…” “British Architectural Styles” | Boha Glass |
00:05:59 | “…I did not learn about any of these vernacular architecture techniques…” “Sustainability and Vernacular Architecture: Rethinking What Identity Is” | IntechOpen |
00:25:52 | “…I mean he said it in 1909 in his book called ‘Hind Swaraj’…” “Gandhi’s Hind Swaraj : A Summary and Centennial View” | Bombay Sarvodaya Mandal / Gandhi Book Centre |
00:34:19 | “…That’s why the Arts and Crafts movement came even…” “Arts and Crafts movement” | Wikipedia |
00:46:05 | “…I’m not arguing for something which Schumacher said, ‘Small is beautiful’…” “Small Is Beautiful” | Britannica |
00:04:17 | “…Then a chance meeting with Laurie Baker brought me into the architecture…” “Laurie Baker” | Wikipedia |
00:06:51 | “…I came across another mentor of mine called Shri Appukuttan Nair…” “Renovation of the Koothambalam at Kalakshetra Chennai / About Shri. Appukuttan Nair” | Benny Kuriakose & Associates |
00:07:12 | “…which is founded by Rukmini Devi Arundale…” “Rukmini Devi Arundale” | Britannica |
00:25:45 | “…I mean Mahatma Gandhiji said that…” “Mahatma Gandhi” | Wikipedia |
00:46:05 | “…I’m not arguing for something which Schumacher said, ‘Small is beautiful’…” “E.F. Schumacher” | Britannica |
00:06:30 | “…I toured […] across Kerala looking at traditional buildings…” “Kerala” (India) | Britannica |
00:07:00 | “…He has done a theatre in one of the Bharata Kalakshetram University…” “Bharata Kalakshetram” | Benny Kuriakose & Associates |
00:13:44 | “…like in Rajasthan, for example…” “Rajasthan” (India) | Britannica |
00:13:53 | “…but not in a heavy rainfall area like in Assam…” “Assam” (India) | Britannica |
00:20:37 | “…I practise based out of Chennai…” “Chennai” (Tamil Nadu, India) | Britannica |
00:20:53 | “…It’s OK for a climate in… like in Munich or London…” “Munich” (Bavaria, Germany) | Britannica |
00:20:53 | “…It’s OK for a climate in… like in Munich or London…” “London” (United Kingdom) | Britannica |
00:21:33 | “…whether it is in Latin America or Jakarta or Berlin or anywhere…” “history of Latin America” | Britannica |
00:21:33 | “…whether it is in Latin America or Jakarta or Berlin or anywhere…” “Jakarta” (Indonesia) | Britannica |
00:21:33 | “…whether it is in Latin America or Jakarta or Berlin or anywhere…” “Berlin” (Germany) | Britannica |
00:30:21 | “…So let’s start with the first one, Quiet by the River resort…” “Quiet By The River Resort” | Benny Kuriakose & Associates |
00:35:56 | “…When you see Mahabalipuram temple or Khajuraho temple or Brihadeshwara temple…” “TIMELESS BEAUTY OF THE SHORE TEMPLE OF MAHABALIPURAM” | Times Travel |
00:35:56 | “…When you see Mahabalipuram temple or Khajuraho temple or Brihadeshwara temple…” “Temples Of Khajuraho” | Indian Culture |
00:35:56 | “…When you see Mahabalipuram temple or Khajuraho temple or Brihadeshwara temple…” “Brihadeshwara temple” (New South Wales, Australia) | Wikipedia |
00:36:23 | “…There’s another project where this is very apparent: the Vishram by the Sea…” “Vishram by the Sea” | Benny Kuriakose & Associates |
00:38:40 | “…The one project that kind of feels bigger and much more urban is the DakshinaChitra Museum…” “Dakshinachitra Museum” | Benny Kuriakose & Associates |
00:48:27 | “…after finishing my doctorate for my year in IIT Madras…” Indian Institute of Technology Madras (IIT Madras) |
00:05:07 | “…So he was doing buildings with exposed brickwork…” “A Symphony in Bricks: Remembering Laurie Baker’s Legacy” | Issuu |
00:06:16 | “…He made use of the filler slab…” “Filler Slabs: Material and Advantages” | The Constructor – Civil Engineering Home |
00:18:32 | “…you just put some traditional timber column, Chettinad columns…” “History of Chettinad Pillars in Tamil Homes” | NYK Daily |
00:31:06 | “…We use quite a bit of the recycled timber…” “Timber recycling” | Wikipedia |
00:37:24 | “…The flooring is very similar to the Victorian tiles…” “Victorian and Edwardian Geometric and Encaustic Floor Tiles” | The Building Conservation Directory |
00:37:36 | “…We call it Chettinad tiles or Athangudi tiles…” “Everything You Want to Know About Athangudi Tiles (Chettinad Tiles)” | Benny Kuriakose & Associates |
There are no products and technologies mentioned in this episode.
Host
Nirmal Kishnani
Producer
Maxime Flores
Managing editor
Kruti Choksi
Communications executive
Sana Gupta
Sound technician and editor
Kelvin Brown | Phlogiston
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Contact us
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