At the core of this book, one simple question: if architects do not make the rules nor sign cheques, what do actually they control? The answer, implicit in the publication title, is form.
Form, he says, can elevate the quality of our lives. It can embed built-in performance that lasts the life of the building. Form is akin to DNA: innovations to typologies today can alter projects tomorrow, not unlike a Darwinian road to evolutionary change.
Bjarke Ingels’ approach is rooted in a belief in the power of form-making, starting with the first sketch on the drawing board.
© Wallpaper / Bjarke Ingels Group
Bjarke cites the example of CopenHill, a waste-to-energy power plant that has upended the cliché of infrastructure. He reveals how the arrangement of equipment inside the architecture created new possibilities outside.
The structure doubles up as a recreational amenity with skiing and rock climbing. Since it opened, it has become an urban attraction for Copenhageners and a habitat for flora and fauna in the region.
The CopenHill power plant is a waste-to-energy facility in Copenhagen (Denmark) with recreational space, transforming functional infrastructure into a noteworthy urban landmark.
© Rasmus Hjortshoj / Bjarke Ingels Group
CophenHill is exemplary of BIG’s mantra of ‘hedonistic sustainability’: buildings are designed to be performative and pleasurable. The road to sustainability is therefore neither a compromise nor a sacrifice.
CapitaSpring in Singapore is a mixed-use tower holding some 80,000 plants on landscape surfaces distributed vertically that add up to more than 140% of its site area.
© Bjarke Ingels Group
By making projects green and attractive, Bjarke implicitly reframes the conversation on cost. A building is valued not only for what it does but also for the way it is perceived. Good design takes a long-term view, bringing together objective and subjective metrics, seen together over time.
BIG’s new headquarters in Copenhagen (Denmark) is a prime example of this lifecycle approach. Its energy-efficient systems and comfortable interiors cost more initially, but the price is recovered in the long run through lower operational expenses and higher occupant productivity and satisfaction.
BIG’s new office building in Copenhagen (Denmark) uses Uni-Green, a novel concrete, which offers carbon dioxide reduction of around 25 per cent.
© Laurian Ghinitoiu / Bjarke Ingels Group
This cost recovery factor also applies to commercial projects, where developers are more profit-oriented. In the New York (USA) residential project VIA 57 West, for instance, BIG combines the communal space of a mid-rise European courtyard block with the density of a skyscraper. The social green space at the centre of this development, says the developer, is also its biggest selling point, one that commands higher rents.
VIA 57 West is a hybrid between a European courtyard block and a Manhattan high-rise, resulting in a new typology called the ‘courtscraper’.
© Bjarke Ingels Group
In this interview, Bjarke extrapolates the rethink of building typologies to the scale of urban morphologies. Two of the group’s masterplans, Oceanix City and Toyota Woven City, explore the future of urbanism and tackle patterns of future mobility systems, the risk of sea level rise, and the need for modularity and scalability.
Oceanix City is a highly modularised concept for a floating city that will serve as a solution for populations threatened by rising sea levels.
© Bjarke Ingels Group
Toyota Woven City is conceived as a living laboratory to test and improve mobility, autonomy, connectivity and hydrogen-powered infrastructure in Japan.
© Bjarke Ingels Group
BIG has witnessed meteoric growth in the past decade, boasting an impressive portfolio of projects worldwide. However, Bjarke believes his best is yet to come.
The BIG design approach sees material innovation as a way to reshape future buildings, as evidenced by the world’s largest mass-timber airport, under development in Zurich (Switzerland).
© IMIGO / Bjarke Ingels Group
He is a thinking-man’s star-architect. Bjarke projects an aura of a designer chic but, at the same time, speaks the language of science and engineering. His view on the future of the planet ought to be taken seriously for what it says about the power of design and the role of architects.
This episode is now available as a full-length video on Ecogradia’s YouTube channel.